In honor of all those women out there making films and kicking ass, I propose a new manifesto—Sarah Jacobson
Because movies that reflect a woman’s point of view are still too rare.
Because even though women are achieving incredible feats in business, politics, sports and the arts, we are still invisible unless we are the love interest or the heinous bitch (or both!).
Because women who have made films in the past have been written out of history—like Alice Guy Blache, the first narrative filmmaker (The Cabbage Fairy, 1896), who went on to run her own studio and was involved with over 700 films and has been totally left out of the history books.
Because distributors don’t pick up films made by women and critics don’t champion girl-friendly movies that do get released. (Can you name any female-directed, critic-darling movies where a woman doesn’t die at the end?)
Because the industry doesn’t know how to market to a female audience and isn’t interested in organizing one.
Because women over 35 are one of the largest movie-going audiences and Hollywood doesn’t want you to know!
Because someone made, released and gave a ton of money to Shallow Hal!
Because girls are still getting intimidated out of film school.
Because we are not going to put up with this *beep* any longer.
Because we are tired of women filmmakers and women’s stories being considered a stigma.
Here are the guidelines:
—At least one of the main characters is a woman
— The main woman character does not die at the end, especially if she flaunts moral and sexual conventions
— The main woman character does more than be helpless and/or sleep with the main man character
— No rapes against women unless it deals with the consequences
— No “glamorous” female naked corpses
— More eating pussy and clitoral stimulation scenes during sex scenes if there are any
— No shopping montages
— No makeovers
— Must have at least one guy in the cast who straight girls would want to French kiss
—No dissing of fat girls
— No male fantasy lesbian makeout scenes
— Beautiful girls only fall head over heels in love with ugly loser guys if he’s rich or gives good head
— The main woman character must have one real friend who doesn’t *beep* her over at the end because of jealousy over a man
— A woman must either be the writer or the director of the film
— TAKE YOUR CREDIT. Women, no more holding back to not intimidate others, especially if you are producing your boyfriend director.
