One of the most depressing passages in Tad Friend’s New Yorker piece (on female actresses and Hollywood comedies).
[Image: text reads, “Nicholas Stoller, the director of Forgetting Sarah Marshall and Get Him to the Greek, says, ‘There’s a misogyny in audiences, a much higher bar of required likability for women stars. You need to make the actress completely adorable, or else she’ll be thought of as the straight man or the bummer—which is why I focus so carefully on trying to write fully fleshed-out roles for women in my movies.” To make a woman adorable, one successful female screenwriter says, ‘you have to defeat her at the beginning. It’s a conscious thing I do—abuse and break her, strip her of her dignity, and then she gets to live out our fantasies and have fun. It’s as simple as making the girl cry, fifteen minutes into the movie.’”]
(via jessicavalenti)
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lukehackney reblogged this from annaholmes and added:
Did the quoted screenwriter choose anonymity? If so, she is clearly as brave as she is creative, given how her...
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thesoapboxist reblogged this from goodmenproject and added:
Oh barf. I mean, I get that every character has to be defeated at first. They can’t succeed at their first attempt—there...
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goodmenproject reblogged this from divorcedreality and added:
ugh ugh ugh ugh.
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foulmouthedliberty reblogged this from missgingerlee and added:
Well here we have it. Wisdom for the ages. Lord knows I was never adorable until I was abandoned by one parent, abused...
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americanheart reblogged this from ashleyintransit and added:
OBVIOUSLY, this director must be sexist because he has a method for making female characters likable. It’s not like he’s...
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getdowngetfunky reblogged this from film-schooled and added:
I think he has it totally ass-backwards. You have to make her completely adorable to get greenlit. You then have to...
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